
Grad school is 80% pee-your-pants hard and 20% junior-high-easy. The trouble comes when the brain-breaking abstract stuff masquerades as the Mickey Mouse stuff and vice versa.
For example, I'm writing a faux-bituary of J.K. Rowling for a class, which I took to be a straightforward task. You know, cursory research, zero analysis, some meaty quotes and then attaching sentences together like cars on a shitty toy train. Two hours, tops. Unfortunately, it seems that summing up with reverence someone's recently snuffed-out life is kind of a ballbuster.
It turns out I really admire J.K. Rowling which makes writing about her accomplishments challenging. I should've picked Jay Leno or Serena Williams or something. And, while I feel like a jackass comparing myself to her, I really identified with some things she's said.
To Harvard graduates in June 2008:
"What I feared most for myself at your age was not poverty, but failure. At your age, in spite of a distinct lack of motivation at university, where I had spent far too long in the coffee bar writing stories, and far too little time at lectures, I had a knack for passing examinations, and that, for years, had been the measure of success in my life and that of my peers."
A drawback of raising your kids to be spazzy little nerds is that at a certain point their reading level spikes way beyond their maturity level. Thus, the books my 12-year-old self brought home from the library were very adult in complexity and vocabulary, but also "adult" like video stores by the highway are sometimes "adult." So by the time my mom put the first three Harry Potter books in my hands when I was 14, I was already years past C.S. Lewis and
Dr. Doolittle and full speed ahead into John Irving and Sylvia Plath. And because I was kind of a brat, I tended to dismiss anything that was unapologetically targeted to adolescents. I thought that being naive and sophomoric was something to be ashamed of, which, in retrospect, was terribly naive and sophomoric of me.
So on a long car trip to Michigan, I gave them a shot and from the first chapter of
Sorcerer's Stone, I was, shamelessly and without reservation, a fan. Yes, derivative, lame, overhyped, fleeting, whatever. I don't care. All I care about is all those made-up characters and their made-up feelings. I was in Paris the day the 7th book was released in English and as Jon and I walked around Montmartre on a cloudless July day, all I could see was
Deathly Hallows in cafes.
Deathly Hallows all the way up the steps of the Sacre Coeur.
Deathly Hallows on the metro. I finished the book a few days later in a hostel in Amsterdam at 3 a.m. Jon was asleep and I just sat on the edge of my bed in the huge ballroom-turned-barracks and grieved the end of the series in the cold quiet. It was weird.